Chloé Zhao on Sunday became the first woman of color, first Chinese woman and second woman ever to win the Oscar for directing, capping off a historically impressive run of honors she has amassed this awards season for her work on the drama “Nomadland.”
Zhao was also nominated in the film editing and adapted screenplay categories. She has a chance at another Oscar as one of the producers of “Nomadland,” which is up for best picture.
This year’s Oscars marked the first time in its history that more than one female filmmaker was nominated for the best director in a single year. In addition to Zhao, Emerald Fennell scored a nomination for “Promising Young Woman.”
Before this year, only five female filmmakers had been recognized in the director category. In 2010, Kathryn Bigelow became the first and only woman to be named best director until Zhao won the category on Sunday.
Earlier in the awards season, Zhao took home the top directing prize at the Golden Globes, the Critics Choice Awards and the Directors Guild Awards and she has won similar accolades from several other groups.
“Nomadland” has also garnered wide praise and several honors. The movie tells the story of a widow who travels the country in a van and joins the itinerant work force while connecting with other Americans she meets along the way. Zhao adapted the movie from Jessica Bruder’s nonfiction book of the same name and used several nonprofessionals in the cast, including people featured in Bruder’s book.
Live-Action Short
“Two Distant Strangers”
Our Projectionist predicted correctly!
In what may shape up as a night of firsts, Mia Neal and Jamika Wilson became the first Black women to win an Oscar for best hair and makeup for their work on “Ma Rainey’s Black Bottom.”
“I want to say thank you to our ancestors who put the work in, were denied, but never gave up,” Neal said. “And I also stand here as Jamika and I break this glass ceiling with so much excitement for the future. Because I can picture Black trans women standing up here and Asian sisters and our Latina sisters and Indigenous women, and I know that one day it won’t be unusual or groundbreaking; it will just be normal.”
Neal and Wilson, who were honored for the film’s hairstyles (Sergio Lopez-Rivera was cited for the film’s makeup) were also the first Black women ever nominated in the category. The award was added in 1981 after the 1980 drama “The Elephant Man” was not recognized.
The film, adapted from August Wilson’s play and directed by George C. Wolfe, is set during a recording session in 1920s Chicago. It tells the story of Rainey, a pioneering blues singer played by Viola Davis, and her battle to protect her gift from exploitation by a white-owned record label. When Chadwick Boseman’s musician, an ambitious upstart named Levee, wants to play a song his way, a clash of egos ensues.
The film is “a powerful and pungent reminder of the necessity of art, of its sometimes terrible costs and of the preciousness of the people, living and dead, with whom we share it,” The New York Times co-chief film critic A.O. Scott wrote in his review.
April 25, 2021, 9:11 p.m. ET
Is it ceremony policy to hear only from one member of winning teams?
April 25, 2021, 9:11 p.m. ET
It often happens. And this year, technically, it’d probably be a nightmare to sort out the speaking.
April 25, 2021, 9:13 p.m. ET
Looks like no; we’re hearing from both winners onstage right now ...
April 25, 2021, 9:15 p.m. ET
Should’ve been clearer that winners in different countries have probably designated a single speaker.
Hear that? It’s the quiet that comes with a little less confusion in the best sound category. In the past, the Oscar for this achievement was given in two separate categories: sound editing and sound mixing. This year, perhaps to the relief of some academy members but to the disappointment of sound professionals, the categories have been combined into one.
As a quick explainer, the sound editing has more to do with the collecting of sounds and the mixing is more about how those sounds are placed within the film.
The category has often been a place where big-budget fare like war sagas (“1917,” “Dunkirk”) or space movies (“Arrival,” “Gravity”) have shined. This year’s nominations for “Greyhound” and “News of the World” seem in step with that trend.
And yet, the award has gone this year to a smaller film, “Sound of Metal,” which benefited from a unique sound design that put audiences into the aural perspective of the punk-metal drummer Ruben (Riz Ahmed) as he experienced hearing loss. The film may not have had a chance in a year with more Dolby Digital-friendly blockbusters. But then again, since the plot hinges on the movie’s audio approach, it may have always had what it took to win Oscar gold.
“Sound of Metal”
Our Projectionist predicted correctly!
April 25, 2021, 9:07 p.m. ET
OK, it’s been over an hour. There’s been nothing as formally exciting since Regina King’s opening sashay into the main hall. No clips, to Kyle’s point. (Very bad.) And ... I hate to say it, but I also miss comedy. Has Kristen Wiig or Maya Rudolph been invited?
April 25, 2021, 9:10 p.m. ET
I’m not saying everyone should replicate this exact moment in the same words, but nothing for me has quite matched the energy of Daniel Kaluuya’s mother reacting in real time to his talking about his parents having sex.
April 25, 2021, 9:10 p.m. ET
April 25, 2021, 9:05 p.m. ET
Chloé Zhao’s win also reminds me that we haven’t seen Frances McDormand yet. Maybe she was annoyed by the red carpet dress code.
April 25, 2021, 9:06 p.m. ET
You can occasionally see her sitting at a table next to Joel Coen, I think.
April 25, 2021, 9:07 p.m. ET
Show us the close-up!
The first trailer for Steven Spielberg’s “West Side Story” film is here, and it looks to be worth the wait.
The promo, broadcast during the Oscars, opens on a city at sunrise as a man sweeps along a deserted sidewalk. Shadows of men from rival gangs fade into one another as they close the distance between them. Women in billowing dresses run through the streets, and the fence climbing is dramatic as ever.
The release date was pushed back a year because of the pandemic, to Dec. 10, but the film is ideal fare to be appreciated on an oversized screen.
Ansel Elgort stars as the streetwise Tony and Rachel Zegler as the pure-hearted Maria, two teenagers who fall in love despite their connections to rival street gangs in 1950s New York City.
The film is the latest iteration of the classic 1957 musical, which is itself a loose retelling of Shakespeare’s “Romeo and Juliet.” The musical, with music by Leonard Bernstein, lyrics by Stephen Sondheim and a book by Arthur Laurents, came to the silver screen in 1961, in a film adaptation that won 10 Academy Awards, including best picture and best supporting actress for Rita Moreno, who also appears in a supporting role in the new film. A Broadway revival directed by Ivo Van Hove opened last February, but it ran for only a few weeks before being shut down by the pandemic.
Even if you’ve never seen the musical on the stage or screen, you’ve probably heard one of its iconic tracks, whether that’s “Maria,” “Tonight” or “I Feel Pretty” (spoofed by Melissa McCarthy’s Sean Spicer on “Saturday Night Live”).
But if the trailer is any indication, Spielberg’s approach will hew closer to the show that rattled Broadway when it opened in 1957 than the high school theater staple whose songs have since become sentimental standards.
The new film boasts a screenplay by Tony Kushner, the “Angels in America” playwright, and choreography by Justin Peck of New York City Ballet. It was originally scheduled to be released last December but was pushed back a year to Dec. 10, 2021 — which now coincides with the 60th anniversary of the original film’s release.
April 25, 2021, 9:00 p.m. ET
The “Nomadland” filmmaker Chloé Zhao just became the first woman of color to be named best director. She is only the second woman ever to win this Oscar, after Kathryn Bigelow (“The Hurt Locker”).
April 25, 2021, 9:01 p.m. ET
I respect that Chloé Zhao is accepting her award in sneakers. That is staying on-brand no matter what the producers say.
April 25, 2021, 8:59 p.m. ET
Bong Joon Ho just announced the best-director nominees in subtitled Korean.
Best Director
Chloé Zhao, “Nomadland”
Our Projectionist predicted correctly!
April 25, 2021, 8:59 p.m. ET
My brain has been asked to handle a lot lately but it can’t quite process the idea of the directing Oscar been awarded at 9 p.m.
April 25, 2021, 9:03 p.m. ET
Yes, what’s the plan here? I guess it’s an acknowledgment or where the movies are — or aren’t — this year, in terms of popularity or plain old name recognition.
April 25, 2021, 8:56 p.m. ET
Bryan Cranston just gave the night’s first Jean Hersholt Humanitarian Award via both tracking shot and voice-over to the Motion Picture & Television Fund. Soderbergh is doing the most with the most dutiful. The show ditched the broadcast of these prizes years ago.
And the Oscar goes to … a nursing home?
Yes! Sort of.
The nonprofit Motion Picture & Television Fund, which underwrites a nursing home and retirement village for aging and ailing “industry” people (actors, executives, choreographers, lighting technicians, camera operators), received one of two honorary Academy Awards. The organization, founded in 1921 by Mary Pickford, Charlie Chaplin and other stars, also provides a wide range of other services to Hollywood seniors.
The 48-acre campus in Woodland Hills, a community on the northwest edge of Los Angeles, has been home over the years to Oscar-winning actresses (Hattie McDaniel, Mary Astor); career assistants (Leah Bernstein, who tended to Stanley Kramer’s professional needs on 28 films); television stars (Katherine MacGregor, known as Harriet Oleson on “Little House on the Prairie”); and studio moguls (Terry Semel, the former Warner Bros. chief). Residents must be 70 years or older and have worked in Hollywood for more than two decades. Spouses and life partners are also eligible.
Challenges over the years have included severe financial hardship, a deadly 2001 fire and the coronavirus. Leading fund-raising efforts for decades has been Jeffrey Katzenberg, the former DreamWorks Animation executive.
When the academy announced in January that the M.P.T.F., as it is known, would get an honorary Oscar, some of Hollywood’s cattier eyebrows arched in response: Was this a way to burnish Katzenberg after his latest business endeavor, the Quibi streaming service, crashed in epic fashion?
But Katzenberg, who raised $2 million for the fund at a virtual event on Saturday, did not accept the award. Instead, more than 70 health professionals who work for the nonprofit — coronavirus frontline workers, all of them — were invited to come onto the telecast as a group.
April 25, 2021, 8:55 p.m. ET
If you came into this ceremony unfamiliar with the nominated films and performances ... well, don’t expect to see any clips of them. We’re an hour in, and the stripped-down ceremony hasn’t played anything from this year’s movies.
April 25, 2021, 8:56 p.m. ET
God. Good point, Kyle.
April 25, 2021, 8:57 p.m. ET
Ultimately, no matter how much I like this, at the end of the day, it’s live theater.
April 25, 2021, 8:45 p.m. ET
Another first: The “Ma Rainey’s Black Bottom” costume designer Ann Roth just became the oldest woman to ever win an Oscar, at age 89.
April 25, 2021, 8:46 p.m. ET
I really like all of this pre-win trivia and the explanations of intentionality with some of the craft nominees. Also: How many is that for her, Kyle?
April 25, 2021, 8:48 p.m. ET
Roth has been nominated five times and won once before, for “The English Patient.”
April 25, 2021, 8:49 p.m. ET
NO. Wow. She always seems so ... inevitable. But what do I know?!
Costume Design
“Ma Rainey’s Black Bottom”
Our Projectionist predicted correctly!
April 25, 2021, 8:42 p.m. ET
Mia Neal and Jamika Wilson (“Ma Rainey’s Black Bottom”) just became the first Black women to win the Oscar for makeup and hairstyling.
April 25, 2021, 8:43 p.m. ET
That was a speech, too.
Makeup and Hairstyling
“Ma Rainey’s Black Bottom”
Our Projectionist predicted correctly!
April 25, 2021, 8:41 p.m. ET
Don Cheadle, presenter of the hair and makeup and costume Oscars, is wearing a Godzilla-hide bow tie.
April 25, 2021, 8:34 p.m. ET
Do we think everyone will be able to give long speeches, or will people start getting played off in the second half of the show?
April 25, 2021, 8:36 p.m. ET
I doubt anybody gets played off tonight. It feels somehow anti-Soderberghian.
April 25, 2021, 8:32 p.m. ET
The reaction shots from winners’ family members (in this case Daniel Kaluuya’s mother and sister) is a new addition to the show and it’s a very warm and welcome one.
April 25, 2021, 8:34 p.m. ET
Agreed, Dave. This is a remarkable speech and Daniel Kaluuya’s mother can’t even believe he’s giving it.
Daniel Kaluuya won the Academy Award for best supporting actor for his nuanced portrayal of Fred Hampton in “Judas and the Black Messiah,” beating out his co-star, Lakeith Stanfield, who was also nominated in the category.
“To chairman Fred Hampton,” Kaluuya said in his acceptance speech. “What a man. How blessed we are that we lived in a lifetime where he existed.”
“There’s so much work to do,” Kaluuya added, speaking about Hampton’s legacy. “That’s on everyone in this room.”
Kaluuya’s win was far from a surprise. Critics have widely praised his performance of Hampton, an ascendant leader of the Black Panther Party who was killed by the police in 1969. And Kaluuya won the Golden Globe for best supporting actor earlier this awards season.
But when Oscar nominations were unveiled last month, Stanfield’s inclusion in the supporting actor category alongside Kaluuya puzzled some Oscars pundits, who thought Stanfield a better fit for the best actor category. As it turned out, it did not ultimately cost Kaluuya, who was considered something of a lock to win the category.
Kaluuya previously had earned a best actor Oscar nomination for his turn in the 2017 smash “Get Out.” Sunday marked his first Oscar win.
Kaluuya’s rousing call-and-response speeches drive some of the most electric scenes in “Judas and the Black Messiah.” But in an interview with The New York Times, Kaluuya detailed the great lengths he went to in order to understand Hampton and, in so doing, come to capture his idiosyncratic voice and style of speaking. “I gave it everything I had. I gave. I gave. I gave,” he said then.
In his review of the film, The New York Times co-chief film critic A.O. Scott acknowledged Kaluuya’s efforts, writing that the actor “finds inflections of Southernness in his voice and manner — undertones of humor and courtliness, an appreciation of the expressive possibilities of language.”
“I don’t feel like I’m entitled to anyone’s attention,” Kaluuya told The Times. “I have to offer, or channel, or shape something that’s going to make you want to give it to me.”
Best Supporting Actor
Daniel Kaluuya, “Judas and the Black Messiah”
Our Projectionist predicted correctly!
April 25, 2021, 8:29 p.m. ET
People have always complained to me about how indulgent these actor-on-actor tributes are but I don’t care. They swell my heart.
April 25, 2021, 8:31 p.m. ET
Laura Dern just shouted out all five supporting-actor nominees.
April 25, 2021, 8:29 p.m. ET
This is an Oscar ceremony that isn’t afraid to let winners go long. The “Another Round” director Thomas Vinterberg would have been played off early at any other show before he got to the part of his acceptance speech that he movingly dedicated to his late daughter.
April 25, 2021, 8:33 p.m. ET
They have time now, right? There are no musical performances!
April 25, 2021, 8:27 p.m. ET
I appreciate an Oscars presenter who puts on her reading glasses when she has to open her envelope. Here’s looking at you, Laura Dern.
Regina King opened the Oscars by striding onto the stage at Union Station and immediately bringing up events of the past week.
Without preamble, she offered blunt commentary on the recent trial and verdict handed down in the case of Derek Chauvin, the former Minneapolis police officer, who was found guilty of second-degree murder in the death of George Floyd.
“It has been quite a year, and we are still smack-dab in the middle of it,” she said in her opening monologue. “We are mourning the loss of so many, and I have to be honest, if things had gone differently this past week in Minneapolis, I might have traded in my heels for marching boots.
“Now, I know that a lot of you people at home want to reach for your remote when you feel like Hollywood is preaching to you, but as a mother of a Black son, I know the fear that so many live with, and no amount of fame or fortune changes that,” she added.
April 25, 2021, 8:24 p.m. ET
My 6-year-old son just asked about the Oscars broadcast, “Is it in the part where it’s exciting still?”
April 25, 2021, 8:27 p.m. ET
Well, Thomas Vinterberg just mentioned that he dedicated his movie and now his new Oscar to his late daughter. So it’s definitely the part where it’s heavy.
This is the story of a group of teachers (including one played by Mads Mikkelsen) who think they can solve their midlife crisis by getting a little drunk every day on the job, a plan that goes about as well as you think it would. (Don’t try this at work or over Zoom.) The gonzo premise turns reflective as Mikkelsen’s character tries to rescue his marriage, and the movie culminates in a justly celebrated dance scene in which the actor shows off his moves. The cast initially included the 19-year-old daughter of the director, Thomas Vinterberg, but a few days into filming, she was killed when a distracted driver slammed into a car she was riding in. The filmmaker, who was nominated for best director, opted to continue the production. He told IndieWire: “My life was destroyed,” adding, “We decided to make the movie for her. that was the only way we could do this.” Read our review.
April 25, 2021, 8:22 p.m. ET
It’s international film time, presented by Laura Dern to “Another Round.” “Collective” was my personal favorite.
International Feature
“Another Round,” Denmark
Our Projectionist predicted correctly!
April 25, 2021, 8:20 p.m. ET
Guys, while I’m remembering 1989 and “Dangerous Liaisons,” I just want to pre-pour one out for Glenn Close, who is likely going to lose her eighth Oscar tonight.
April 25, 2021, 8:20 p.m. ET
My mom took me to see “The Empire Strikes Back,” Laura Dern’s mom took her to see “La Strada.” I guess we had different upbringings.
April 25, 2021, 8:14 p.m. ET
Christopher Hampton doesn’t get to talk at all?
April 25, 2021, 8:14 p.m. ET
Christopher Hampton’s name not being read in 1989 for adapting “Dangerous Liaisons” is one of my first Oscar memories. Now he’s a winner.
April 25, 2021, 8:12 p.m. ET
I appreciate the effort that went into getting all of the “Borat” screenwriters on the TV screen at the same time.
Adapted Screenplay
Christopher Hampton and Florian Zeller, “The Father”
Our Projectionist predicted correctly!
April 25, 2021, 8:07 p.m. ET
Original-screenplay winner Emerald Fennell is the first woman to win a screenplay Oscar in 13 years, since Diablo Cody triumphed in this same category for “Juno.”
April 25, 2021, 8:10 p.m. ET
That is the strongest script of these five. (Lots of things that drove me crazy about it, but still ...)
Original Screenplay
Emerald Fennell, “Promising Young Woman”
Our Projectionist predicted correctly!
April 25, 2021, 8:06 p.m. ET
This is a real departure from the traditional opening monologue. Regina King is sharing little biographical details about some of the nominees.
April 25, 2021, 8:06 p.m. ET
Kinda love those Oscar lamps, though ...
April 25, 2021, 8:06 p.m. ET
So to recap, the Academy Awards are now the Golden Globes, the Golden Globes are a Zoom conference and the Tony Awards are yet to be determined.
April 25, 2021, 8:06 p.m. ET
Yes, Dave. We’re also learning a little about what it’s like to be directed by Regina King. She’s not hosting the show but she might as well be.
April 25, 2021, 8:02 p.m. ET
My viewing companion for the evening just perplexedly asked me: “So it’s all pretaped?” I imagine lots of similar conversations taking place as we type.
April 25, 2021, 8:01 p.m. ET
Regina King is opening this show like it’s an “Ocean’s” movie. She’s got an Oscar in her hand as she makes her way into the house via a tracking shot.
April 25, 2021, 8:02 p.m. ET
I like the whole entrance walk idea. It’s the first time it’s ever felt like this show really HAD an entrance.
In one of those you-couldn’t-make-it-up moments, Carey Mulligan and Andra Day, both nominees for best actress, showed up on the red carpet in gold midriff-baring gowns — Mulligan in Valentino haute couture and Day in custom Vera Wang.
The resemblance to Oscar himself was immediately apparent.
Though the silhouettes were quite different (how would Mulligan manage to sit down in that skirt?), the general idea was quite similar. How could such a mind meld happen?
Well, if you want to manifest winning a gold statuette … dress like a gold statuette! Besides, this way, even if you don’t get to take home the prize, you get to win in the entrance-making stakes.
No, it’s not just you.
The red carpet is pink.
Or is it magenta? Watermelon? A fuzzy expanse of reddish-purple?
We could’ve passed it off as a color correction blip in the broadcast. But then Amanda Seyfried, who’s up for best supporting actress for her role in “Mank,” showed up in a bright red Armani gown, and, well …
Pink, we tell you. Pink.
What did a dress code of “inspirational and aspirational” actually mean?
So far, it means male nominees just saying “no” to boring black tie, and trading the whole penguin suit for peacocking.
First there was Colman Domingo in a tone-on-tone hot pink Versace suit …
… then Leslie Odom Jr. in head-to-toe gold Brioni …
… Paul Raci in all black, down to his polished fingernails …
… and Lakeith Stanfield in a Louis Vuitton jumpsuit.
Meanwhile, young Alan Kim of “Minari,” wearing Thom Browne shorts and knee socks, pretty much showed us how to do age-appropriate fancy dress without making it look as if he were in costume. More like playing follow the leader.
The performances for this year’s best song Oscar nominees were prerecorded and broadcast during the event’s preshow for the first time.
Alan S. Kim, the 9-year-old star of “Minari,” stole viewers’ hearts in March when he accepted the Critics’ Choice Award for best supporting actor over video. While reading from a list of people to thank, he broke suddenly and exuberantly into tears.
“Oh my goodness, I’m crying,” he said. As he spoke through tears, that crying intensified. The clip, if you haven’t seen it, is extremely sweet.
Tonight, Kim is at his first Oscars. He walked the red carpet with Christina Oh, a producer of “Minari.”
Kim recently celebrated a birthday and shared with E!’s Giuliana Rancic that he received a bike, an iPad and a Fitbit for the occasion.
Asked by Rancic if there’s anyone he’s excited to see tonight, Kim responded: “No, not really. I’m fine with everybody.”
The designer Thom Browne has dressed Kim throughout awards season. For his first Academy Awards, the actor arrived in a shorts suit by Browne with knee-length socks.
Will “The Trial of the Chicago 7” pull off an upset win for best picture? Is the eighth nomination the charm for the perpetual bench-warmer Glenn Close to take home her first statuette?
Our ballot has now closed, and it’s time to see how you — and our awards expert, the Projectionist columnist Kyle Buchanan — did. We’ll be tracking his predictions in all 23 categories all night, so be sure to follow along on our live blog.
He played it safe in the best picture category, picking “Nomadland,” and for acting honors, Chadwick Boseman, Viola Davis, Daniel Kaluuya and Yuh-Jung Youn. If he’s right, this would be the first time in the ceremony’s 93-year history that all the acting awards will go to people of color.
This year’s Oscars may not be the first awards show held during the pandemic, but it’s the closest-to-normal ceremony we’ve seen since the last Academy Awards, held in February 2020 — meaning it’s being held mostly in person, not on Zoom.
We’ll be here watching the socially distanced red carpet, as nominees and their plus-ones return to the time-honored tradition of wearing fancy gowns (or tuxedos) and answering interviewers’ questions with varying degrees of awkwardness. All attendees have been instructed that casual wear is not an option. Masks, on the other hand, are not required for on-camera appearances.
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